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arent; overflow-wrap: break-word; white-space: pre-wrap; vertical-align: bas
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' class='Paragraph SCXW141814880 BCX0'>Avec Clémentine Maubon & Bastien
Lefèvre, compagnie La Grive, et Yolène Guais, costumière de la compagnie La
Grive</p><p style='margin-top: 0px; margin-bottom: 0px; padding: 0px; user-s
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lass='Paragraph SCXW141814880 BCX0'> </p><p style='margin-top: 0px; mar
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__url__ => 'https://www.theatrelouisaragon.fr/168-247/la-programmation/archives/saison-2
022-2023-les-spectacles/fiche/la-fabrique-du-defile-2-confection-des-costume
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title => 'L’Oiseau de feu / Le Sacre du printemps • Thierry Malandain, Martin Harriagu
e - Malandain Ballet Biarritz' (105 chars)
subtitle => 'samedi 01 avril' (15 chars)
abstract => '' (0 chars)
text1 => '<h3>Revisitons nos classiques !</h3>
<p>Incisif et affuté, c’est ainsi que
l’on qualifie le style du chorégraphe Thierry Malandain, figure emblématique
du monde du ballet. C’est avec la même acuité qu’il a imaginé ce double pro
gramme entièrement dédié au compositeur russe Igor Stravinsky, faisant reviv
re deux pièces phares de l’histoire de la danse. </p>
<p>Le directeur du Ba
llet Biarritz commence par livrer sa propre version de<i> L’Oiseau de feu</i
>, tirée d’un conte russe et mêlant enchantement et sortilèges autour d’un p
hénix scintillant de mille feux. Tout rayonne dans ce ballet composé au cord
eau, dont l’extrême précision du geste et de l’espace fascine. Thierry Malan
dain a confié la deuxième partie de soirée à Martin Harriague, chorégraphe b
asque de la jeune génération : toute sa fougue et son inventivité s’exprimen
t dans un <i>Sacre du Printemps</i> sauvage, explosif, terrien. Un ballet co
mme un rituel ou une offrande, mais qui est aussi celle d’une compagnie au f
irmament de l’excellence chorégraphique française.</p>' (1042 chars)
text2 => '<p><b>L’Oiseau de feu</b></p>
<p>Musique : Igor Stravinski</p>
<p>Chorégraph
ie : Thierry Malandain</p>
<p>Costumes : Jorge Gallardo</p>
<p>Réalisation c
ostumes : Véronique Murat et Charlotte Margnoux</p>
<p>Lumières : François M
enou </p>
<p>Maîtres de ballet : Richard Coudray, Giuseppe Chiavaro et
Frederik Deberdt</p>
<p>Ballet pour 22 danseurs</p>
<p><b>Le Sacre du printe
mps</b> </p>
<p>Musique et argument : Igor Stravinski</p>
<p>Chorégraphie et
scénographie : Martin Harriague</p>
<p>Lumières : François Menou et Martin
Harriague</p>
<p>Costumes : Mieke Kockelkorn</p>
<p>Réalisation costumes : V
éronique Murat et Charlotte Margnoux</p>
<p>Réalisation décor et accessoires
: Frédéric Vadé</p>
<p>Assistantes chorégraphe : Françoise Dubuc et Nuria L
ópez Cortés</p>
<p>Ballet pour 19 danseurs</p><p>Photos : Olivier Houeix</p>' (836 chars)
text3 => '<p>Coproducteurs : Donostia Kultura - Victoria Eugenia Antzokia -Donostia /
San Sebastián (Espagne) – Ballet T, Chaillot-Théâtre national de la Danse –
Paris, Théâtre des Salins, Scène nationale – Martigues, Le Cratère – Scène n
ationale Alès, Opéra de Reims, La Rampe – Scène conventionnée Echirolles, Op
éra de Saint Etienne, CCN Malandain Ballet Biarritz. Partenaires : Théâtre O
lympia d’Arcachon, Le Parvis - Scène nationale</p>
<p>de Tarbes Pyrénées, Th
éâtre de Saint Quentin-en-Yvelines - Scène nationale, Festival de Danse Cann
es - Côte d’Azur France</p>' (559 chars)
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title => 'REPORTÉ • Fantasie minor • Marco da Silva Ferreira' (50 chars)
subtitle => 'samedi 01 avril' (15 chars)
abstract => 'Collection tout-terrain du centre chorégraphique national de Caen en Normand
ie' (78 chars)
text1 => '' (0 chars)
text2 => '<p>Conception, chorégraphie : Marco da Silva Ferreira</p>
<p>Interprété par
: Anka Postic et Chloé Robidoux</p>
<p>Conception et création sonore : Rui L
ima et Sérgio Martins, d’après <i>Fantasie in F minor</i> de Franz Schubert
(Pianistes : Lígia Madeira et Luís Duarte ; Enregistrement et mixage : Suse
Ribeiro)</p>
<p>Conception lumière : Marco da Silva Ferreira en collaboratio
n avec Florent Beauruelle et Valentin Pasquet</p>
<p>Costumes : Aleksandar P
rotic</p>
<p>Assistanat chorégraphique : Elsa Dumontel</p>
<p>Régie : Floren
t Beauruelle ou Valentin Pasquet</p><p>Photo : Martin Argyroglo</p>' (599 chars)
text3 => '<p>Production déléguée : centre chorégraphique national de Caen en Normandie
. Coproduction : Le Trident, scène nationale de Cherbourg-en-Cotentin, TANDE
M Scène nationale, Culture Commune, scène nationale du bassin minier du Pas-
de-Calais, Espace 1789, scène conventionnée d’intérêt national pour la danse
de Saint-Ouen, Atelier de Paris / CDCN, Conseil départemental du Calvados.
Avec le soutien du ministère de la Culture « dispositif Résidence d’Artiste
associé », de la DRAC Normandie et de la Caisse des Dépôts. Prêt de studio :
La Bibi, Caen. Manifestation organisée dans le cadre de la Saison France-Po
rtugal 2022. Le centre chorégraphique national de Caen en Normandie est subv
entionné par le ministère de la Culture – DRAC Normandie, la région Normandi
e, la ville de Caen, le département du Calvados, le département de la Manche
et le département de l’Orne. Il reçoit l’aide de l’Institut Français pour c
ertaines de ses tournées à l’étranger.</p>' (954 chars)
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title => 'C A R C A S S • Marco da Silva Ferreira' (39 chars)
subtitle => 'samedi 25 mars' (14 chars)
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text1 => '<h3>L’énergie puissante d’une communauté dansante</h3>
<p>Ce qui aurait pu
commencer par un simple jeu de jambes devient, dans cette nouvelle pièce de
Marco da Silva Ferreira, un prétexte à la vibration des corps, agitateurs re
belles et carnavalesques entre cultures du passé et pratiques d’aujourd’hui.
S’il a remporté en 2009 l’Eurobattle en catégorie « new style », puis le sh
ow TV « So you think you can dance », le chorégraphe portugais a surtout trè
s vite développé son propre langage, fait de multiples connexions, entre pra
tiques urbaines et influences d’ailleurs. </p>
<p>Hybrides et ultra-connect
és au monde qui les entoure, les dix danseurs de <i>C A R C A S S</i> formen
t une communauté dansante qui brise les codes et balaye d’un revers de main
les identités figées. Leurs mouvements s’installent dans le clubbing pour mi
eux jouer avec le folklore, créant des passerelles que les mémoires collecti
ves et individuelles viennent bousculer, au cœur d’une symphonie électroniqu
e musicale et lumineuse.</p>' (1016 chars)
text2 => '<p>Direction artistique et chorégraphie : Marco da Silva Ferreira</p>
<p>Ass
istante artistique : Catarina Miranda</p>
<p>Direction technique et création
lumière : Cárin Geada</p>
<p>Musique : João Pais Filipe (percussionniste),
Luís Pestana (musique électro), Sérgio Martins (musique électro)</p>
<p>Cost
umes : Aleksandra Protic</p>
<p>Scénographie : Emanuel Santos</p>
<p>Études
anthropologiques : Teresa Fradique</p>
<p>Danses folklores : Joana Lopes</p>
<p>Directrice de production : Joana Costa Santos</p>
<p>Productrice délégué
e : Mafalda Bastos</p>
<p>Production : Pensamento Avulso associação</p>
<p>D
iffusion : Art Happens</p>
<p>Coproduction : Teatro Municipal do Porto, Cent
ro Cultural Vila-Flor, Espaço-do-tempo</p>
<p>Photo : José Caldeira</p>' (755 chars)
text3 => '<p>Coproduction : Teatro Municipal do Porto, Centro Cultural de Belém, Big P
ulse Dance Alliance Commission, New Baltic Dance (Lithuania), Julidans (Neth
erlands), Tanz im August/HAU Hebbel am Ufer (Germany), Dublin Dance Festival
(Ireland), ONE DANCE WEEK (Bulgaria) and presented by Zodiak - Side Step Fe
stival (Finland), International Dance Festival TANEC PRAHA (Czech Republic),
Torinodanza Festival (Italy), Dance Umbrella (UK), co-funded by the Creativ
e Europe Program of the European Union, Centre Chorégraphique National de Ca
en en Normandie, La Briqueterie - CDCN du Val-de-Marne, Maison des arts de C
réteil, KLAP- Maison pour la danse, CCN-Ballet National de Marseille, Charle
roi danse, centre chorégraphique de Wallonie - Bruxelles, December Dance (Co
ncertgebouw and Cultuurcentrum Brugge), La rose des vents – scène nationale
Lille Métropole – Villeneuve d’Ascq, TANDEM Scène Nationale Arras-Douai.</p>
<p>Support : Republica Portuguesa – Cultura, DGARTES – Direcao Geral das Ar
tes.</p>' (996 chars)
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text1 => '<h3>Du blues antillais, rebelle et engagé</h3>
<p>Delgres, c’est la rencont
re de l’auteur, chanteur et guitariste Pascal Danaë (ancien de Rivière Noire
) avec le batteur Baptiste Brondy et le joueur de tuba-contrebasse - aussi a
ppelé « sousaphone » - Rafgee. Ensemble, ils forment depuis 2016 un trio de
blues caribéen unique, habité par un feeling profond et un groove très rock’
n’roll. Nourrie par l’héroïsme de Louis Delgres, personnage incontournable d
e la lutte contre l’esclavage dans les Antilles françaises, leur musique vib
rante évoque des thèmes sensibles et engagés qui leur sont chers : le départ
, l’exil, le déracinement … </p>
<p>Après un premier album qui a secoué la
scène musicale française et a valu au groupe une nomination aux Victoires de
la musique en 2019, Delgres est aujourd’hui en tournée avec 4:00 AM. Un tit
re clin d’œil à toutes les travailleuses et tous les travailleurs invisibles
levés à l’aube auxquels les trois musiciens, prêts à renfiler leurs bleus d
e travail, rendent hommage.</p>' (1019 chars)
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<p>Batterie : Baptiste Brondy<
/p>
<p>Sousaphone : Raphaël Gouthiere</p>
<p>Lumières : Simon Rutten</p>
<p>
Régie plateau : Tristan Moreau </p>
<p>Production : Florian Chereau</p><p>Ph
oto : DR</p>' (240 chars)
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title => '1983 • Margaux Eskenazi - Cie Nova' (34 chars)
subtitle => 'samedi 11 mars' (14 chars)
abstract => '' (0 chars)
text1 => '<h3>Luttes et espoirs des quartiers populaires</h3>
<p><i>1983</i> prend po
ur point de départ la marche pour l’égalité et contre le racisme qui rallie
Marseille à Paris. En réponse aux violences policières qui sévissent à Vénis
sieux et dans de nombreuses banlieues, les enfants d’immigrés maghrébins s’o
rganisent. L’immense mouvement d’espoir qu’ils soulèvent alors sera néanmoin
s de courte durée : montée du chômage, durcissement des politiques migratoir
es, « tournant de la rigueur » opéré par François Mitterrand et montée du FN
, marquent peu à peu la rupture avec les quartiers populaires.</p>
<p> No
urrie d’un travail d’enquête et de terrain, la nouvelle création de Margaux
Eskenazi mêle mémoire individuelle et collective au service d’une écriture p
oétiquement engagée, qui souligne les fractures de notre monde contemporain
et interroge leurs origines, sans rien céder aux clichés et aux raccourcis.
Un théâtre profondément vivant, qui éclaire, décrypte et fait sens.</p>' (983 chars)
text2 => '<p>Conception : Alice Carré et Margaux Eskenazi</p>
<p>Mise en scène : Marga
ux Eskenazi</p>
<p>Écriture : Alice Carré</p>
<p>Avec : Armelle Abibou, Loup
Balthazar, Salif Cisse ou Christophe Ntakabanyura, Anissa Kaki, Malek Lamra
oui, Yannick Morzelle ou Lazare Herson-Macarel, Raphaël Naasz ou Joseph Four
ez, et Eva Rami ou Pauline Jambet</p>
<p>Scénographie : Julie Boillot Savari
n</p>
<p>Lumières : Mariam Rency</p>
<p>Costumes : Sarah Lazaro</p>
<p>Créat
ion sonore : Antoine Prost</p>
<p>Création vidéo : Quentin Vigier</p>
<p>Adm
inistration / Production : Paul Lacour-Lebouvier</p>
<p>Diffusion : Label Sa
ison – Gwenaëlle Leyssieux</p><p>Photo : Loïc Nys</p>' (666 chars)
text3 => '<p>Production : La Compagnie Nova et le Théâtre National Populaire – CDN de<
/p>
<p>Villeurbanne. Coproduction : Théâtre National Populaire – CDN de Vill
eurbanne, La Comédie de Saint-Etienne – CDN, Théâtre de la Ville – Paris, Le
s Gémeaux – Scène Nationale de Sceaux, La Comédie de Béthune – Centre dramat
ique national Hauts-de-France, La rose des vents-scène nationale Lille Métro
pole – Villeneuve d’Ascq, La Comédie de Valence – CDN Drôme – Ardèche, Le Qu
ai des Arts – Argentan, Théâtre de La Cité Internationale – Paris, La Machin
erie – Vénissieux, La Passerelle – Scène Nationale de Gap – Alpes du Sud, Fo
rum Jacques Prévert – Carros, Le Théâtre du Bois de L’Aune – Aix-en-Provence
, Théâtre du Fil de L’Eau – Pantin, Le Théâtre de Privas – Scène conventionn
ée Art en territoire, La Grange Dimière – Fresnes. Soutiens : Région Ile-de-
France, DRAC Ile-de-France, Direction Générale de la Création Artistique, Th
éâtre Gérard Philipe – Centre Dramatique National de Saint-Denis, Théâtre Jo
liette – Marseille, Centquatre-Paris, la Chartreuse de Villeneuve lez Avigno
n - Centre national des écritures du spectacle. Avec la participation artist
ique du Jeune Théâtre National.</p>' (1175 chars)
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title => 'Hop ! • Raphaëlle Delaunay et Jacques Gamblin' (45 chars)
subtitle => 'vendredi 17 février' (19 chars)
abstract => '' (0 chars)
text1 => '<h3>Rencontre au sommet !</h3>
<p>Ils connaissent déjà bien la scène du Thé
âtre Louis Aragon : Lui, Jacques Gamblin en tant qu’acteur, et Elle, Raphaël
le Delaunay, en tant que danseuse et chorégraphe associée. Aujourd’hui, entr
e ces deux bêtes de scène, se joue une rencontre au sommet inédite qu’eux se
uls pouvaient écrire !</p>
<p>Quelle frontière entre leurs deux personnag
es et leur vie d’artiste, dans cet espace vide et blanc qui ne demande qu’à
être rempli ? Lui, qui a travaillé toute sa vie, dispose désormais de tout s
on temps. Elle, qui est professeure de corps, va lui rappeler qu’il en a un.
Entre rencontre réelle et quête surréaliste, dialogue de sourd et match en
ping-pong, les situations s’enchaînent, les variations détonnent, les formes
se libèrent. Entre le mot et le geste, pas la peine de choisir : ce qui com
pte, c’est l’infinité de possibles qui existent entre eux, cocasses, troubla
nts, dans une relation à l’Autre pleine, libre, et infiniment surprenante.
<br> </p>' (997 chars)
text2 => '<p style='font-family: Calibri; font-size: medium;'></p><p>Conception, inter
prétation : Raphaëlle Delaunay, Jacques Gamblin</p><p>Collaboration artist
ique : Emmanuel Daumas</p><p>Lumières et scénographie : Eric Soyer</p><p>S
on : Lucas Lelièvre</p><p>Costumes : Marie Jagou</p><p>Régie générale et
lumière : Laurent Bénard</p><p>Régie son : Simon Denis ou Nicolas Perrea
u</p><p>Assistante de tournée : Tina Hollard</p><p>Production, diffusion :
Françoise Lebeau</p><p style='font-family: Times; font-size: medium;'></p><
p>Photo : Marc Domage</p>' (557 chars)
text3 => '<p style='font-family: Calibri, sans-serif;'><b>Production </b>Productions d
u dehors <b>Co-Production </b>Communauté de Communes du Mont-Saint-Michel d
ans le cadre de son programme de résidence, Domaine de Kerguéhennec, Grand
Théâtre de Lorient, La Coursive – scène nationale de la Rochelle, CentQu
atre (Paris), Espace Malraux - Scène nationale de Chambéry, Bonlieu - Scè
ne nationale d’Annecy, Le Radiant-Bellevue, La scène nationale de Saint-Que
ntin-en-Yvelines, Théâtre de Coutances, Théâtre Edwige Feuillère, Scèn
e conventionnée d’intérêt national - Vesoul, Le Carré-les-Colonnes – Sai
nt-Médard- en-Jalles, Maison de la Culture d’Amiens. Raphaëlle Delaunay et
Jacques Gamblin sont en <b>résidence de création </b>au CentQuatre (Paris
). Le spectacle a été accueilli en <b>résidence de création </b>à Cap C
aval - Penmarch</p><p class='MsoNormal' style='font-family: Calibri, sans-se
rif;'>Remerciements <b>Dalila Khatir, Théâtre au fil de l’eau, Thomas et C
athy Coville,<br />CCN Ballet de Lorraine, Nancy.</b></p><p class='MsoNormal
' style='font-family: Calibri, sans-serif;'><i>HOP !</i> a bénéficié de l
a mise à disposition de studio au CND, Centre national de la danse, Pantin.
</p>' (1220 chars)
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ht-color: transparent; overflow: visible; cursor: text; clear: both; positio
n: relative; direction: ltr; font-family: "Segoe UI", "Segoe
UI Web", Arial, Verdana, sans-serif; font-size: 12px; font-weight: 400;
'><p class='Paragraph SCXW141814880 BCX0' style='margin-top: 0px; margin-bot
tom: 0px; padding: 0px; user-select: text; -webkit-user-drag: none; -webkit-
tap-highlight-color: transparent; overflow-wrap: break-word; white-space: pr
e-wrap; vertical-align: baseline; font-kerning: none; background-color: tran
sparent; color: windowtext;'>Lancement de la fabrique du défilé de l’EFDC !&
nbsp;</p></div><div class='OutlineElement Ltr SCXW141814880 BCX0' style='mar
gin: 0px; padding: 0px; user-select: text; -webkit-user-drag: none; -webkit-
tap-highlight-color: transparent; overflow: visible; cursor: text; clear: bo
th; position: relative; direction: ltr; font-family: "Segoe UI", &
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e; -webkit-tap-highlight-color: transparent; overflow-wrap: break-word; whit
e-space: pre-wrap; vertical-align: baseline; font-kerning: none; background-
color: transparent; color: windowtext;'>Avec Yolène Guais, costumière de la
compagnie La Grive</p><p class='Paragraph SCXW141814880 BCX0' style='margin-
top: 0px; margin-bottom: 0px; padding: 0px; user-select: text; -webkit-user-
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__url__ => 'https://www.theatrelouisaragon.fr/168-240/la-programmation/archives/saison-2
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title => 'Vers le spectre • Maurin Ollès - Cie La Crapule' (47 chars)
subtitle => 'samedi 11 février' (17 chars)
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text1 => '<h3>Accueillir la différence</h3>
<p>Le jeune metteur en scène Maurin Ollès
et sa formidable troupe de comédiens questionnent ici avec subtilité, audac
e et une bonne dose d’humour, notre difficulté à accueillir celles et ceux q
ui ne correspondent pas aux normes et codes établis par la société. Contre t
oute attente, on se surprend à rire aux éclats, être ému aux larmes, s’encha
nter, comme rarement, devant une pièce de théâtre sur l’autisme.</p>
<p>D
e sa naissance à l’âge adulte, <i>Vers le spectre</i> nous fait suivre le pa
rcours mouvementé d’Adel, diagnostiqué autiste ou « neuro-atypique ». Autour
de lui, une foule de personnages - parents, soignants, enseignants, éducat
eurs spécialisés - résistent tant bien que mal au rouleau compresseur de l’a
dministration. Les situations les plus cocasses qu’ils vivent au quotidien s
’enchaînent sous nos yeux et font voler en éclats tous les a priori.</p>
<p>Un hymne généreux à la vie et à la différence, récompensé au Festival Imp
atience 2021 par le Prix du Public et le prix des Lycéens.</p>' (1050 chars)
text2 => '<p>Écriture : Maurin Ollès avec l'ensemble de l'équipe artistique</p>
<p>Ave
c : Clara Bonnet, Gaspard Liberelle, Gaël Sall, Bedis Tir et Nina Villanova<
/p>
<p>Mise en scène : Maurin Ollès</p>
<p>Composition musicale : Bedis Tir<
/p>
<p>Costumes et scénographie : Alice Duchange</p>
<p>Vidéo : Augustin Bon
net et Mehdi Rondeleux</p>
<p>Lumière : Bruno Marsol</p>
<p>Régie générale :
Clémentine Pradier et Bruno Marsol</p>
<p>Régie son et vidéo : Mathieu Plan
tevin et Stéphanie Pauze</p><p>Masques : Lily Bonnet</p>
<p>Administration,
production, diffusion : Julie Lapalus, avec l'accompagnement de La Loge - Al
ice Vivier et de Pauline Rivière</p>
<p>Avec le regard de : Lucas Palisse, i
ntervenant spécialisé autisme</p><p>Photo : Lucas Palen</p>' (743 chars)
text3 => '<p>Production : La Crapule. Coproduction : La Comédie de Saint-Étienne, Cent
re dramatique national, Pôle Arts de la Scène - Friche la Belle de Mai, Le T
héâtre Joliette - Scène conventionnée art et création pour les expressions e
t écritures contemporaines, Forum Jacques Prévert - Scène conventionnée Art
Enfance et Jeunesse, Théâtre du Bois de l'Aune, Théâtre Sorano, Réseau Trave
rses - Association de structures de diffusion et de soutien à la création du
spectacle vivant en région Provence-Alpes-Côte d'Azur, 3bisF - Lieu d'arts
contemporains - Résidences d'artistes - Centre d'art à Aix-en-Provence. 
;</p><p>Soutiens : École de la Comédie de Saint-Étienne, Ministère de la Cul
ture-DRAC Provence-Alpes-Côte d'Azur, Département des Bouches-du-Rhône - Cen
tre départemental de créations en résidence, Région Provence-Alpes-Côte d'Az
ur, Ville de Marseille, dispositif Création en cours porté par Médicis Clich
y Montfermeil, Centquatre-Paris</p><p class='p1' style='margin-top: 0px; mar
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al; font-stretch: normal; font-size: 11px; line-height: normal; font-family:
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/p><p>Construction décor : Les ateliers de La Comédie de Saint-Étienne.</p><
p>Une maquette a été présentée dans le cadre du festival FRAGMENTS - (La Log
e), sur proposition du Forum Jacques Prévert.</p><p>Prix du public et le pri
x des lycéen.n.es du Festival Impatience 2021.</p><p>Le texte a reçu les enc
ouragements de l'Aide à la création d'Artcena.</p><p>Remerciements à l'Insti
tut médico-éducatif de Saint Jeannet, au SESA - Service Évaluation et Soins
de l'Autisme du Centre Hospitalier Valvert de Marseille, aux Instituts médic
o-éducatifs de Saint-Étienne Chantalouette, Chantespoir et Parc Révollier, G
hislain Cravatte, Erwan Dean, Lucas Palen, Sylvain Congé, Sarah Guenoun, Mar
ie-Fleur Hoffman, Le pavillon de l'Olivier et les soignant.e.s de l'Hôpital
psychatrique de Montperr...' (2422 chars)
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title => 'Cocœur • Clémentine Maubon & Bastien Lefèvre' (44 chars)
subtitle => 'samedi 04 février' (17 chars)
abstract => '' (0 chars)
text1 => '<h3>Un duo palpitant !</h3>
<p>« Pourquoi le cœur, qui est un muscle lui au
ssi, ne se contente pas de faire le travail d’une cuisse ? » Sous cette ques
tion incongrue, presque anatomique, se cache en fait toute la complexité d’u
n organe qui dépasse ses seules et simples fonctions pour ouvrir à d’extraor
dinaires imaginaires. C’est ce qu’ont compris Clémentine Maubon et Bastien L
efèvre, qui prennent ici à bras-le-corps / à bras-le-cœur l’étendue physique
et poétique de sa mécanique. </p>
<p>Sur la base d’un battement de cœur, l
eur duo va évoluer de pulsation en pulsation, pour faire des rythmes cardiaq
ues la base sonore et percussive de la danse. D’emballements du cœur en rale
ntis posés, toutes les nuances sont possibles. Si le cœur traduit notre peur
, notre surprise, notre amour, notre fièvre, la danse vient en écrire les mi
lle et une façons d’en faire une puissance de vie, de création, de fiction e
t d’images partagées. </p>
<p>Clémentine Maubon & Bastien Lefèvre sont
artistes associés au TLA dans le cadre de ' Territoire(s) de la danse ' 2022
avec le soutien du Département de la Seine-Saint-Denis.</p>' (1124 chars)
text2 => '<p>
Ecriture et interprétation : Bastien Lefèvre, Clémentine Maubon<br />
</
p><p>Complicité chorégraphique : Mathilde Bonicel, Matthieu Coulon Faudemer,
Yannick Hugron, Catherine </p><p>Gamblin-Lefèvre, Jacques Gamblin, Mélanie
Giffard, Annabelle Rosenow<br />
</p><p>Création musicale : Lucas Lelièvre<b
r />
</p><p>Création lumière et technique : Jérôme Houlès<br />
</p><p>Régie
de tournée : Jérôme Houlès ou Nicolas Girault en alternance<br />
</p><p>Ad
ministration, production, diffusion : Audrey Jardin & Elisabeth Lamy - l
es Sémillantes
</p>' (551 chars)
text3 => '<p>
Production : <b>Cie La Grive</b>, accompagnée du bureau Les Sémillantes<
br />
Avec le soutien de l’Etat, Direction régionale des affaires culturelle
s (D.R.A.C.) des Pays de la Loire, de la Région des Pays de la Loire et du C
entre national de danse contemporaine – ANGERS.<br />
Avec le soutien du méc
énat de la Caisse des Dépôts.<br />
Coproduction : THÉÂTRE LOUIS ARAGON, Scè
ne conventionnée d’intérêt national Art et création Danse de Tremblay-en-Fra
nce ; KLAP, Maison pour la danse à Marseille (13) ; VIADANSE – DIRECTION FAT
TOUMI/LAMOUREUX, CCN de Bourgogne franche-Comté à Belfort ; le Cargo, Segré-
en-Anjou-Bleu (49) ; centre culturel de la Ville Robert, Pordic (22) ; Résea
u Petites Scènes Ouvertes (accueil en résidence à La Manufacture - CDCN Nouv
elle Aquitaine).
</p>' (781 chars)
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__url__ => 'https://www.theatrelouisaragon.fr/168-238/la-programmation/archives/saison-2
022-2023-les-spectacles/fiche/cocoeur-clementine-maubon-bastien-lefevre.htm' (151 chars)
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title => 'Poufs aux sentiments • Clédat & Petitpierre' (43 chars)
subtitle => 'samedi 21 janvier' (17 chars)
abstract => '' (0 chars)
text1 => '<h3>Amours précieuses et décoiffantes !</h3>
<p>Quelle aventure galante et
romanesque que ce spectacle, qui nous plonge dans un XVIIe siècle réinterpré
té, fantasmé, magnifié et… anachronique ! Le nouveau spectacle de Clédat &am
p; Petitpierre se dissout dans des images historiques sur fond de jardin à l
a française, danse baroque et perruques enfarinées, pour mieux nous parler d
u thème universel de l’amour. </p>
<p>Légèreté, humour et raffinement sont
les ingrédients de cette leçon de drague décalée. « Pourrais-je un jour être
votre Tendre ? », demande l’amoureux à la Précieuse ridicule, qui n’aura de
cesse de lui dessiner la carte des paysages et états émotionnels qui lui fa
udra traverser pour prétendre l’embrasser. Tous deux engoncés dans leurs « p
oufs » cotonneux en référence aux délirantes coiffures de l’époque, accompag
nés d’arbustes en buis pour le moins espiègles, les voilà qui nous jouent la
meilleure façon de se faire la cour : avec esprit, délicatesse et drôlerie.
</p>' (992 chars)
text2 => '<p>Conception, chorégraphie, scénographie, costumes : Yvan Clédat et Coco Pe
titpierre</p>
<p>Avec : Ruth Childs et Sylvain Prunenec (Les poufs), Max Ric
at et Coco Petitpierre (Les buis)</p>
<p>Création sonore : Stéphane Vecchion
e</p>
<p>Création lumière : Yan Godat</p><p>Photo : Yvan Clédat</p>' (295 chars)
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opéenne, Le Printemps des comédiens, Le Triangle – Cité de la danse, Rencont
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âtre Louis Aragon, scène conventionnée d’intérêt national Art et création &g
t; danse à Tremblay-en-France dans le cadre de son programme de résidence. A
vec le soutien de la DRAC Bretagne au titre de l’aide au projet.</p>' (600 chars)
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